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Untitled

Oh Chai Hoo
(Singaporean, b. 1960)
Untitled, 1995
Acrylic on Paper
56cm x 37cm (71cm x 53cm with frame)


Starting Auction Bid: $11,400

Landscape

Oh Chai Hoo
(Singaporean, b. 1960)
Landscape
Watercolour on Paper
56cm x 37cm (71cm x 53cm with frame)


Starting Auction Bid: $11,400

The Vastness of Our Eyes

Choy Moo Kheong
(Singaporean, b. 1950)
The Vastness of Our Eyes, 1983
Watercolour on Paper
55cm x 74cm (73cm x 92cm with frame)


Starting Auction Bid: $9,600

Forest I

Choy Moo Kheong
(Singaporean, b. 1950)
Forest I, 1983
Watercolour on Paper
55cm x 74cm (73cm x 92cm with frame)


Starting Auction Bid: $9,600

Forest II

Choy Moo Kheong
(Singaporean, b. 1950)
Forest II, 1983
Watercolour on Paper
55cm x 74cm (73cm x 92cm with frame)


Starting Auction Bid: $9,600

Brown Symphony

Chang Chin Fai
(Singaporean, b. 1951)
Brown Symphony
Signed
Mixed Media
76cm x 96cm


Starting Auction Bid: $4,560

Abstract Construction (SOLD)

Ong Chye Cho 王再造
(Singaporean, 1916-1996)
Abstract Construction
Signed
Watercolour on Paper
94cm x 119cm


Starting Auction Bid: $4,200

Chrysanthemum

Tan Khim Ser 陈钦赐
(Singaporean, b. 1943)
Chrysanthemum
Signed and Dated 1992
Ink on Paper
80cm x 72cm


Starting Auction Bid: $4,200

Claypots & Violin

Lim Poh Lai
(Singaporean)
Claypots and Violin
Signed
Watercolour on Paper
94cm x 119cm


Starting Auction Bid: $4,200

Moon with Blue Aura

Robert Allen Devoe
(American, b. 1928)
Moon with Blue Aura, 1987
Etching
92cm x 62cm (114cm x 85cm with frame)


Starting Auction Bid: $3,000

Untitled

Francis Goh
Untitled
Mixed Media
56cm x 85cm (74cm x 102cm with frame)


Starting Auction Bid: $3,000

Bird Series II

Salleh Japar
(Singaporean, b. 1962)
Bird Series II
Signed
Mixed Media on Cloth
37cm x 37cm


Starting Auction Bid: $3,600

Still Life

Hafid. A
(Indonesia)
Still Life
Pastel on Paper
84cm x 100cm


Starting Auction Bid: $2,640

Summer Mist I

Yak Whee Ng
(Singaporean, b. 1954)
Untitled
Oil on Board
34cm x 44cm (59cm x 69cm with frame)


Starting Auction Bid: $2,640

Art Scene

Simon Wong
Art Scene, 1989
Watercolour on Paper
79cm x 79cm


Starting Auction Bid: $2,400

Closer to Home I

Michael Tan
(Malaysian, b. 1955)
Closer to Home I, 1989
Mixed Media on Paper
102cm x 63cm


Starting Auction Bid: $1,800

Closer to Home II

Michael Tan
(Malaysian, b. 1955)
Closer to Home II, 1989
Mixed Media on Paper
102cm x 63cm


Starting Auction Bid: $1,800

Abstract Painting

Coming soon with more information

Summer Mist II (SOLD)

Kiel Ong
(Singaporean, b. 1960)
Summer Mist II, 1988
Mixed Media on Paper
81cm x 77cm


Starting Auction Bid: $2,760

Untitled

Yak Whee Ng
(Singaporean, b. 1954)
Untitled
Oil on Board
34cm x 44cm (59cm x 69cm with frame)


Starting Auction Bid: $2,640

Abstract (SOLD)

Mella Jaarsma
(Dutch, b. 1960)
Abstract
Signed and Dated 1995
Mixed Media
49cm x 64cm


Starting Auction Bid: $4,200

Flowers II

Alex Ong Boon Hau
(Malaysian, b. 1951)
Flowers II
Signed
Watercolour on Paper
50cm x 73cm


Starting Auction Bid: $3,840

Singapore River (SOLD)

Ong Kim Seng
(Singaporean, b. 1945)
Singapore River, 1978
Signed
Watercolour on paper
36.5cm x 53.5cm


Starting Auction Bid: $7,800

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Untitled

Oh Chai Hoo
(Singaporean, b. 1960)
Untitled, 1995
Acrylic on Paper
56cm x 37cm (71cm x 53cm with frame)


Starting Auction Bid: $11,400

Oh Chai Hoo's abstract painting is a powerful exploration of form, color, and movement, showcasing his mastery of abstract expressionism. The dynamic composition features intersecting geometric shapes, primarily rectangles and triangles, creating a sense of depth and dimension. The muted color palette, dominated by shades of white, gray, black, and brown, is punctuated with vibrant accents of blue, purple, and yellow, adding depth and richness to the artwork. Bold, defined lines intertwine with softer, gestural marks, creating a visual tension that speaks to the dynamism of life and the human experience. The overall effect is a visually arresting and emotionally resonant piece that invites contemplation of complex emotions and the transient nature of existence.

Landscape

Oh Chai Hoo
(Singaporean, b. 1960)
Untitled
Watercolour on Paper
56cm x 37cm (71cm x 53cm with frame)


Starting Auction Bid: $11,400

Oh Chai Hoo's watercolor painting is a vibrant exploration of texture, color, and abstract forms. The artist masterfully utilizes techniques like dry brushing, washes, splattering, and dripping to create a dynamic composition with a rich tactile quality. The earthy color palette, dominated by warm browns, ochres, and greens, is punctuated by splashes of cool blues and violets, adding depth and atmosphere. The abstract forms, suggestive of natural elements, invite personal interpretation. The dynamic composition, with its vertical orientation and diagonal lines, creates a sense of movement and rhythm. Overall, the painting is a powerful and evocative representation of the natural world, showcasing the artist's unique vision and technical skill.

The Vastness of Our Eyes

Choy Moo Kheong
(Singaporean, b. 1950)
The Vastness of Our Eyes, 1983
Watercolour on Paper
55cm x 74cm (73cm x 92cm with frame)


Starting Auction Bid: $9,600

Choy Moo Kheong's watercolor painting is a serene and minimalist depiction of a wintry landscape. The artist's delicate washes of color create a sense of depth and atmosphere, while the sparse composition emphasizes the stark beauty of the scene. The muted palette of blues, grays, and browns evokes a feeling of tranquility and solitude, while the subtle variations in tone and texture add visual interest. The lone tree in the foreground stands as a symbol of resilience and endurance in the face of the harsh winter elements. Overall, the painting is a masterful example of Choy Moo Kheong's ability to capture the essence of nature with a few simple brushstrokes.

Forest I

Choy Moo Kheong
(Singaporean, b. 1950)
Forest I, 1983
Watercolour on Paper
55cm x 74cm (73cm x 92cm with frame)


Starting Auction Bid: $9,600

This artwork by Choy Moo Kheong is a serene landscape likely created with watercolor or ink. It depicts a forest at dawn or dusk, with a delicate gradient of warm colors transitioning from soft yellows to muted browns. The trees are rendered as dark silhouettes against a glowing sky, evoking a sense of calm and tranquility. The composition is expansive, drawing the viewer's eye across the scene and highlighting the natural beauty of the forest. The interplay between light and shadow adds depth and dimension, while the use of subtle gradations enhances the painting’s ethereal quality. The piece invites introspection and reflects themes of solitude and the beauty of nature. Choy's work often captures the essence of landscapes, emphasizing the meditative and contemplative aspects of nature.

Forest II

Choy Moo Kheong
(Singaporean, b. 1950)
Forest II, 1983
Watercolour on Paper
55cm x 74cm (73cm x 92cm with frame)


Starting Auction Bid: $9,600

In a two part series with Forest I, Choy Moo Kheong's painting of a misty landscape provides continuity from the initial work that evokes tranquility and mystery through its soft colors, layered technique, and absence of human figures. The composition is simple yet effective, with the horizon dividing the golden sky from the hazy landscape below. The painting could be interpreted as a reflection on nature's beauty and mystery, the passage of time, or the insignificance of human concerns in the grand scheme of things. Overall, the artwork is a masterful example of Choy Moo Kheong's signature style, leaving a lasting impression on the viewer.

Brown Symphony

Chang Chin Fai
(Singaporean, b. 1951)
Brown Symphony
Signed
Mixed Media
76cm x 96cm


Starting Auction Bid: $4,560

Ong pays tribute in this artwork to the Cubist tradition of masters like George Braques, who used form and colour as a system of dissecting, enhancing and complicating reality. A patchwork of earth-toned rectangles, cubes and prisms gently touched with cool blue and rusty red fill this abstract mixed media collage. Visible brushstrokes and wrinkled paper lines create depth and texture. Enigmatic, barely perceptible figures suggest geological forms or ancient cave paintings. The combination of dynamic shapes and carefully balanced planes of earth tones result in a harmonious yet intriguing composition.

Abstract Construction

Ong Chye Cho 王再造
(Singaporean, 1916-1996)
Paper Construction #1
Signed
Watercolour on Paper
94cm x 119cm


Starting Auction Bid: $4,200

Abstract Construction is an ode to the three basic elements of art – line, colour and form. Ong begins with staid cubist shapes that are transformed with bursts of lyrical colour in yellows, pinks, blues and reds, reminiscent of the play of light across an urban landscape at dusk. The viewer is drawn at each turn to a new detail, inviting contemplation on how even the simplest elements can be transformed into something exquisite.

Chrysanthemum

Tan Khim Ser 陈钦赐
(Singaporean, b. 1943)
Chrysanthemum
Signed and Dated 1992
Ink on Paper
80cm x 72cm


Starting Auction Bid: $4,200

Pioneering watercolour artist Tan Khim Ser depicts the famous lines from Eastern Jin Dynasty poet Tao Yuanming (陶渊明)’s timeless verse from 417 AD just before the fall of the Dynasty.

采菊东篱下

Picking Chrysanthemums under the Eastern Fence

悠然见南山

My gaze rests tranquil upon Nanshan

Poet Tao Yuanming hailed from a politically prominent family and growing disillusioned with jousting for worldly power and wealth, he abandoned his position and took refuge in the countryside. This beautiful ink painting invites contemplation on the enduring allure of nature and life’s simple pleasures. Tan’s characters are a masterclass in cursive script, each word gliding into the next, interconnected by ligatures that reveal the speed and ease of the strokes. Clad in gentle pink, the humble chrysanthemum emerges as a symbol of quiet beauty even amidst the grandeur of the Southern mountains.

Claypots & Violin

Lim Poh Lai
(Singaporean)
Claypots and Violin
Signed
Watercolour on Paper
94cm x 119cm


Starting Auction Bid: $4,200

Claypots and Violin offers a uniquely Southeast Asian take on the still-life, depicting indigenous clay cups and pots resting by a violin and bow. Mimicking the earthenware, the artwork is highly textured and showcases Lim’s generous application of paint and layered brushwork. Bathed in earthy tones, the colour palette is deceptively complex with its touches of cool blues, greens and pinks. The juxtaposition of violin and pots, at first glance a strange duo, find an odd harmony – an ode to the labour of art and craft.

Moon with Blue Aura

Robert Allen Devoe
(American, b. 1928)
Moon with Blue Aura, 1987
Etching
92cm x 62cm (114cm x 85cm with frame)


Starting Auction Bid: $3,000

The Moon with Blue Aura is an abstract landscape piece inspired by Elmira, New York, blending earthy tones with a striking blue sky. The artist uses etching techniques and copper strips to create depth and texture, contrasting the solid earthly elements with the ethereal moon. The moon, outlined in copper, symbolizes the balance between permanence and change, and the interplay between the celestial and the terrestrial. The artwork invites contemplation on themes of unity and separation, making it a profound and evocative piece in contemporary landscape art that’s at the intersection of art, science, and metaphysics. Every art piece allows for Robert to express higher consciousness and the underlying geometries of nature.

Untitled

Francis Goh
Untitled
Mixed Media
56cm x 85cm (74cm x 102cm with frame)


Starting Auction Bid: $3,000

This mixed media piece is a captivating exploration of color, texture, and form. The artwork is dominated by a palette of blues and greens, with accents of yellow and brown. The cool tones create a sense of tranquility, while the warmer hues add a touch of energy and vibrancy. The composition is primarily abstract, featuring a series of rectangular shapes that intersect and overlap. These shapes are reminiscent of windows or doorways, perhaps hinting at a hidden world or a deeper meaning. The layered textures adds depth and complexity to the piece. The artwork exudes a sense of mystery and intrigue. The muted colors and abstract forms invite the viewer to contemplate the work's meaning. Some may see it as a landscape, with the rectangles representing buildings or mountains. Others may interpret it as a commentary on urban life, with the shapes symbolizing the isolation and fragmentation of modern society. The artwork's ambiguity allows for multiple interpretations, ensuring that it will continue to intrigue and inspire viewers for years to come.

Bird Series II

Salleh Japar
(Singaporean, b. 1962)
Bird Series II
Signed
Mixed Media on Cloth
37cm x 37cm


Starting Auction Bid: $3,600

Bird Series II bursts onto the canvas with bold, contrasting colours of black, maroons and ochre. The dynamic composition depicts an abstract bird in flight, its wings captured in a bold sweep of black and its head with beak opened mid-call and outlined by the sun. The mixed-media work is suffused with Japar’s characteristic Southeast Asian sensibility, with curvilinear forms that evoke the sinuous animal motifs found in traditional batik. At the core of batik is the concept of “hidup”, meaning “blissfully enlivening” and “humanising in spirit”. With its central figure, the artist expresses a longing for freedom and transformation, creating a powerful and indeed enlivening experience for the viewer.

Still Life

Hafid. A
(Indonesia)
Still Life
Pastel on Paper
84cm x 100cm


Starting Auction Bid: $2,640

The pastel artwork depicts a cozy indoor scene featuring a table, chairs, and a vase of flowers. Warm earthy tones dominate the composition, creating an inviting atmosphere. The use of pastels results in a soft, velvety texture, with well-blended colors and subtle highlights. Light and shadow interplay adds depth, with light coming from the left side, casting gentle shadows. The piece evokes a sense of nostalgia and intimacy, capturing a quiet, contemplative moment. Influences from Post-Impressionism are evident in the color use and atmospheric focus. The artwork effectively conveys warmth and emotional resonance through its technique and composition.

Summer Mist I

Yak Whee Ng
(Singaporean, b. 1954)
Untitled
Oil on Board
34cm x 44cm (59cm x 69cm with frame)


Starting Auction Bid: $2,640

Ng Yak Whee's artwork, an abstract mixed-media piece, showcases a harmonious blend of cool tones and textural elements, suggesting natural landscapes or geological forms. The composition is fluid and non-representational, inviting viewers to explore the intricate layers and transitions of color. The painting evokes a sense of tranquility and introspection, aligning with Ng's philosophy of art as a means to explore the intangible. His use of varied textures and techniques reflects his mastery in creating depth and complexity, making the piece a meditative visual journey that encourages personal interpretation.

Art Scene

Simon Wong
Art Scene, 1989
Watercolour on Paper
79cm x 79cm


Starting Auction Bid: $2,400

The artwork is an abstract watercolor on paper, characterized by intersecting diagonal lines and soft, pastel hues. The composition creates a sense of depth and movement, guiding the viewer's eye dynamically across the piece. The color palette, featuring muted shades of pink, blue, green, and yellow, blends harmoniously, contributing to a serene and ethereal atmosphere. The artist employs watercolor techniques like wet-on-wet for smooth gradients and dry brushwork for definition, achieving a translucent quality and subtle texture. The artwork evokes themes of transition and flow, suggesting underlying structures amid apparent randomness. It recalls early modernist movements such as Cubism and Futurism, and might draw inspiration from abstract artists like Paul Klee and Wassily Kandinsky. Overall, it is a masterful example of abstract art that invites viewers to engage with its calm, contemplative qualities.

Closer to Home I

Michael Tan
(Malaysian, b. 1955)
Closer to Home I, 1989
Mixed Media on Paper
102cm x 63cm


Starting Auction Bid: $1,800

Michael Tan's abstract artwork is a dynamic composition characterized by layered textures and intersecting lines that create depth and structure. Utilizing a muted color palette with occasional vibrant spots, the piece harmonizes earthy tones with bursts of red and yellow. Rich textures and varied brushwork add a tactile quality, inviting viewers to explore the surface in detail. The abstract forms and bold strokes evoke a sense of movement and emotional intensity, balancing chaos and order. This artwork exemplifies Tan's skill in abstract expressionism, making it a significant contribution to contemporary Malaysian art.

Closer to Home II

Michael Tan
(Malaysian, b. 1955)
Closer to Home II, 1989
Mixed Media on Paper
102cm x 63cm


Starting Auction Bid: $1,800

In the second part to the work, Michael Tan's abstract artwork is a dynamic masterpiece leveraging the same rich and complex approach to abstract expressionism. The strong juxtaposition of the use of earthy and rusty colours strongly suggests a mix of urban and geometric compositions to create an emotional response to the melancholic atmosphere with strong strokes adding intensity and energy to the piece.

Summer Mist II

Kiel Ong
(Singaporean, b. 1960)
Summer Mist II, 1988
Mixed Media on Paper
81cm x 77cm


Starting Auction Bid: $2,760

The second piece of the work presents an abstract composition predominantly in hues of blue and green. The surface is textured and layered, suggesting a collage-like technique with different materials and pigments. The artwork is divided into distinct horizontal sections separated by thin gold lines, creating a sense of rhythm and structure as a geometric counterpoint. The colors evoke a cool and serene atmosphere, with the darker blues hinting at depth and mystery. The green tones introduce an organic element, possibly alluding to nature or growth. The work could be seen as an exploration of natural landscapes, emotional states, or even cosmic phenomena. The artwork is a captivating example of abstract expressionism. Its skillful use of color, texture, and composition creates a visually engaging and thought-provoking experience. The artwork's open-ended nature encourages viewers to connect with it on a personal level and explore their own interpretations.

Untitled

Yak Whee Ng
(Singaporean, b. 1954)
Untitled
Oil on Board
34cm x 44cm (59cm x 69cm with frame)


Starting Auction Bid: $2,640

Ng Yak Whee's artwork, an abstract mixed-media piece, showcases a harmonious blend of cool tones and textural elements, suggesting natural landscapes or geological forms. The composition is fluid and non-representational, inviting viewers to explore the intricate layers and transitions of color. The painting evokes a sense of tranquility and introspection, aligning with Ng's philosophy of art as a means to explore the intangible. His use of varied textures and techniques reflects his mastery in creating depth and complexity, making the piece a meditative visual journey that encourages personal interpretation.

Abstract

Mella Jaarsma
(Dutch, b. 1960)
Abstract
Signed and Dated 1995
Mixed Media
49cm x 64cm


Starting Auction Bid: $4,200

“I think of my art practice as a reflection on human existence and a visual representation of the reality of life. When you come into a new culture you’re the foreigner, you are an outsider. At the same time if you live in a place long enough you also become an insider. I like to comment on what I see and what I experience in life. I try to put all that in my artworks.” - Mella Jaarsma Marked by Jaarsma’s experimental energy, asymmetric composition and gestural application of paint, this artwork and its enigmatic figures are a surrealist exploration of birth, family and life. Jaarsma is known for her mixed media work featuring materials like the bark of banana trees, moth cocoons and water buffalo horns. In this work, 3D droplets add interest and texture.

Flowers II

Alex Ong Boon Hau
(Malaysian, b. 1951)
Flowers II
Signed
Watercolour on Paper
50cm x 73cm


Starting Auction Bid: $3,840

Ong’s works have been cited as being “a marvelous lift to the spirit of being alive amidst the many splendored things.” In this early watercolour depicting lush wildflowers, dense, confident brushstrokes effused with textural depth and sheen extend to slender stalks dappled with light, and explode into a joyful expanse of sky. Beautifully characteristic of the artist’s naturalistic oeuvre, the viewer is invited to enter a peaceful and joyful state of mind.

Singapore River

Ong Kim Seng
(Singaporean, b. 1945)
Singapore River, 1978
Signed
Watercolour on paper
36.5cm x 53.5cm


Starting Auction Bid: $7,800

Ong Kim Seng's watercolor painting, capturing a tranquil scene of Singapore's river from a bygone era and stands as a testament to his mastery of the medium and his deep connection to the local landscape. The artwork showcases a harmonious composition of warm, earthy tones that evoke a sense of nostalgia and timelessness. The artist's meticulous attention to detail is evident in the delicate brushstrokes that delineate the intricate architectural features of the shophouses and the subtle variations in the water's surface. The play of light and shadow adds depth and dimension to the scene, while the strategic placement of figures on the boats creates a sense of movement and life. The scene's quietude and the unhurried pace of life depicted in the painting offer a respite from the hustle and bustle of modern-day Singapore.

Ong Kim Seng's watercolor painting is a beautiful and evocative representation of Singapore's cultural heritage and natural beauty. It is a testament to the artist's technical skill, artistic vision, and deep appreciation for the local landscape. The artwork's timeless appeal and emotional resonance make it a valuable addition to any collection of Singaporean art.